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Then it was that Croaker, gripping the glasses in one black claw, burst into a cry of joyful recognition. They grasped hands. Elgin was about to answer when he caught a gasp from the watchers on the road. "Teacher's comin'!" went forth the cry..

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With wildly beating heart Billy passed through the pines, the twilight gloom adding to his feeling of awe. Croaker had become strangely silent and now flitted before him like a black spirit of a crow. It was almost a relief when at last the tumble-down shack grew up in its tangle of vines and weeds. Once more into the daylight and Croaker took up the interrupted thread of his conversation with himself. He ducked and side-stepped and gave voice to expressions which Billy had never heard him use before. Where did she get those wonderful eyes? From her mother, who in her day had been a celebrated Irish actress; Kitty O'Hara, famed in such parts as Sir Harry Wildair, the Fair Penitent, and Ophelia. Captain Acton, when lieutenant and stationed at Kingston, had seen Mrs Kitty O'Hara as "Ophelia" at the Dublin Theatre, and before she had been on the stage five minutes he lost his heart to her. The beautiful and accomplished actress was living with her mother, a noble-looking old gentlewoman who claimed to possess the blood of Irish kings. Acton made love and offered marriage, and was accepted. He had little more than his pay to live upon; nevertheless he refused to allow his wife to return to the stage. He was a sailor, and must by reason of his vocation be often long absent from home, and he declined to subject his beautiful young wife to the temptations of the stage. He might also have been influenced by the case of Sheridan after his marriage with Miss Linley, and sometimes quoted Dr Samuel Johnson's comment on Sheridan's decision: "He resolved wisely and nobly to be sure. He is a brave man. Would not a gentleman be disgraced by having his wife singing publicly for hire? No, sir, there can be no doubt here." At last, sick and dizzy, he turned from the place and with raft and pole fought his way back to the shore. Never again, he told himself, would he try to fathom further what lay in Lost Man's Swamp. Weary and perspiring, he climbed the wooded upland. He turned and dipped into the willows, intending to take the shortest way home through the hardwoods. On top of the beech knoll he paused for a moment to let his eyes rest on the big house in the walnut grove. In some vague way his mind connected its owner with that dead waste of stinking marsh. Why, he wondered, had Hinter chosen this lonely spot on which to build his home? As he turned to strike across the neck of woods between him and the causeway the man about whom he had just been thinking stepped out from a clump of hazel-nut bushes directly in his path. He left his house and walked down the road which led to the bridge, but instead of crossing the bridge he descended a short flight of steps abreast of the flight that led to the wharves. These steps conducted the passenger to the river-side walk that went up the banks of the stream, and a very sweet walk it was this morning. The bright river trembled in prisms and gems under the pleasant breathing of the wind, which was aromatic with the odours it culled in its flight over the country, the birds sang gaily with here and there a deep flute-like note. It was a morning lovely and delightful with the virginal spirit of spring, when all creation seems new, when no note in the trees, no sweetness in the air, no bloom or flash of white on the bough, no timid wayside flower that seems to have sprung into being since[Pg 133] yester eve and glances at you coyly from its little wayside bower, but delights the senses as a beautiful surprise, as a something remembered but never so fresh, so appealing..